Acasă Articole RTR Naomi Ionică, Romanul ”crăciunian” şi ”mecanica fluidului”. De la observarea lumii la...
Naomi Ionică, Romanul ”crăciunian” şi ”mecanica fluidului”. De la observarea lumii la prozopoemul personal
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DESCARCA
Despre autor
Autor:
Naomi IONICĂ
Descriere autor:
Liceul „Honterus” din Brașov / “Honterus” High School of Brasov
E-mail:
E-mail personal autor:
naomi.ionica@gmail.com
Metadate
Număr:
11 / 2016
Rubrica:
Studii literare
Rezumat
The “Crăciunian” Novel and the Mechanics of the Fluid. From the Observation of the World to the Personal Prose Poem
The present article attempts to highlight the origin and the starting point of Gheorghe Craciun’s works, and also to focus on the writer’s uniqueness and distinct features. For Gheorghe Craciun, the relationship between the body and the act of writing stems from the desire to translate, at a personal level, the amount of reality he lives, be it real or fictional. Thus, writing, as internal enlightenment, is transformed into a philosophy of life
Keywords: language, body, world model, sensation.
Bibliografie
- Gheorghe Crăciun, Aisbergul poeziei moderne / The Iceberg of Modern Poetry, Editura Paralela 45, Pitești, 2002.
- Gheorghe Crăciun, Mecanica fluidului. Culegere de lecţii introductive cu exemple, definiţii, întrebări şi 36 de figuri introduse în text / The Mechanics of the Fluid. A Collection of Introductory Lessons with Examples, Definitions, Questions, and 36 Figures Included in the Text, Editura Cartier, Chișinău, 2003
- Gheorghe Crăciun, Trupul ştie mai mult. Fals jurnal la Pupa russa (1993-2000) / The Body Knows More. A Fake Diary to Pupa Russa (1993-2000), ed, Paralela 45, Pitești, 2006.
- Gheorghe Crăciun, Reducerea la scară / Scale Reduction, Editura Paralela 45, Colecţia 80, Seria Publicistică, Pitești, 1999.
- Alain Robbe-Grillet, Cuvânt înainte la o viață de scriitor / Foreword to a Writer’s Life, Editura Cartier, Chișinău, 2006.
- Joseph J. Levy, Entretiens avec David Le Breton – Declinaisons du corps / Declensions of the Body, Editure Tetraedre, 2010.
