Acasă Articole RTR Romantic Dissolution vs. Artistic Disillusion in Robert Browning’s Andrea del Sarto

Romantic Dissolution vs. Artistic Disillusion in Robert Browning’s Andrea del Sarto

288
Rezumat

Romantic Dissolution vs. Artistic Disillusion in Robert Browning’s Andrea del Sarto

Abstract: The present paper sets out to explore Robert Browning’s dramatic monologue introducing Andrea del Sarto (1486- 1531), a late fifteenth-century Florentine painter who was praised for his technical skills in painting but who lacked a spiritual dimension in his art, compared to the works of his contemporaries, Michelangelo Bunarroti (1475-1564) and Raphael (1483-1520).

Keywords: dramatic monologue, displacement, Neoplatonic, oppressed labour, determinist philosophy

Citation suggestion: Pârvu, Daria. “Romantic Dissolution vs. Artistic Disillusion in Robert Browning’s Andrea del Sarto.” Transilvania, no. 11-12 (2021): 69-73.

https://doi.org/10.51391/trva.2021.11-12.10.

Bibliografie
DISTRIBUIȚI