Personal Affinities and Professional Issues: Antal Szerb’s History of World Literature (1941)
Havasréti József
Descriere autor:
University of Pécs
E-mail:
E-mail personal autor:
havasreti.jozsef@pte.hu
6-7
Rubrica:
Studii literare
Abstract: Antal Szerb published his book A világirodalom története (The History of World Literature) in 1941. My paper shows that many elements of the “world literature discourse” that started with Goethe and continues to this day can be detected in Szerb’s understanding of world literature. Following Goethe, he emphasized the fading significance of national literatures, the proleptic character of world literature, and the importance of the international circulation of ideas, works, and goods. The question of “Great Books” also appears in his book. In his view, only the greatest classics, the great works of the “Western canon,” can belong to the realm of world literature. According to Szerb, canonical works are, on one hand, consensual, their exceptional significance being surrounded by public agreement, and on the other hand, they have universal significance and a message that is valid for all of Mankind. As a literary historian, he was influenced by German intellectual history, above all by Friedrich Gundolf and Fritz Strich, as well as by Tivadar Thienemann. His history of world literature should be read as a work shaped by his personal literary biases and the categories of comparative literature of his time (influence, adoption, success, transmission, reception). Szerb supplemented the perspectives of academic literary scholarship with the views of his favoured contemporary thinkers. Influenced by Oswald Spengler and Johan Huizinga, he regarded the movements of modern literature as an expression of the “European crisis,” no doubt sensing the threat of the approaching Second World War. Although Szerb considered the history of world literature to be fundamentally the history of European literature, and within that, the history of the great Western literatures, he also paid attention to the periphery, investigating the factors by which the periphery could break into world literature. He saw Polish, Russian, and Scandinavian literature as the best examples of this, and believed that the conditions for a breakthrough were a fortunate combination of the demands of the Zeitgeist of the age and the national character of the literatures in question.
Keywords: Comparative literature, German Geistesgeschichte (intellectual history), Hungarian Geistesgeschichte, European crisis, Great Books, Western Canon, globalisation, center and periphery
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