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L’iconographie du lavement des pieds de la Dernière Cène. Analyse artistique – spirituelle?

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The Iconography of Feet-Washing in the Last Supper

The present article is focused on the iconographical representation of the scene of feet-washing in the Last Supper, as painted by some of the major artists in the European Tradition. After a swift review of some liturgic features regarding this capital scene of the Christian tradition, the main analytical part of the article is devoted to Leonardo da Vinci’s Last Supper, thoroughly analyzing the relation between the humanity and the divinity of Jesus Christ, such as it appears through the analysis of the relations between the characters involved in the aforementioned depicted situation.

Keywords: history of Christianism, Christian iconography, the motif of feet-washing in European iconography, Leonardo da Vinci, The Last Supper

Bibliografie

L. Brehier, La civilisation byzantine / Byzantine Civilization, Paris 1970

I. Buga, Teologia cinei de taină / The Theology of the Last Supper, Ed. Sfântul Gheorghe – Vechi, București 1998.

O. Drimba, Leonardo da Vinci, titan al Renașterii / Leonardo da Vinci, A Renaissance Titan, Ed. Saeculum I. O., București 2000.

D. Rousseau, L’icona, splendore del tuo volto / The Icon, A Splendour of Your Canopy, Ed. Paoline, Torino 1990. I. Sabetay, Leonardo da Vinci, Éd. Meridiane, București 1964

V.I. Stoichiţă, Leonardo de Vinci, Ed. Meridiane, București 1994. I.D. Ștefănescu, Iconografia artei bizantine și a picturii feudale românești / The Iconography of Byzantine Art and of Romanian Feudal Painting, Éd. Meridiane, București 1973.

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