Acasă Articole RTR Ioan Stanomir, Umbra maestrului – recitindu-l pe Bulgakov

Ioan Stanomir, Umbra maestrului – recitindu-l pe Bulgakov

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Rezumat

The Master’s Shadow – rereading Bulgakov

The aim of this paper is to revisit the legacy of Bulgakov’ s writings, placing him within the context of the soviet and russian literature. As a writer who chose to confront the dominant ideology of his time, Bulgakov remained, up to the very end, a marginal, unable to fit into the landscape of officially  endorsed literature. In the same time, his condition is the epitomy of whay some critics might be calling “ internal exile”. The stalinist regime effectively forbade him from publishing, and his playrights were barred from being staged. Hence, his attempt to frame a coherent vision on literature and freedom, recolving around his own determination to continue writing as if the outside world ceased to exist. “ Manuscripts don’t burn” – the famous phrase of Woland, in “Master and Margarita”, encompasses the tribulation of Bulgakov himself under the totalitarian yoke.

Keywords:literature, soviet union, internal exile, censorship.

Bibliografie
  • Svetlana Le. Fleming, Bulgakov’ s use of the fantastique and the grotesque, in “New Zeeland slavonic journal”, 2/ 1977.
  • Elisabeth Stenbock- Fermor, Bulgakov’ s The Master and Margarita and Goethe ‘ s Faust, în “The Slavic and east european journal”, 3/ 1969
  • Edythe C. Haber, The lamp with the green shade. Mikhail Bulgakov and his father, în “Russian Review”, 4/ 1985
  • Ion Vartic, Prefaţă, în Mihail Bulgakov, “Corespondenţă. Jurnale”, traducere note şi indice de Ana- Maria Brezuleanu, editura Polirom, Iaşi, 2006.
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