Acasă Articole RTR Etica imaginației în literatură și film: Importanța eticii în internaționalizare și...
Etica imaginației în literatură și film: Importanța eticii în internaționalizare și intermedialitate
Rezumat
The Ethics of Imagination in Literature and Film: The Importance of Ethics in Internationalization and Intermediality
Abstract: Starting from Asbjørn Grønstad’s concepts of biovisuality and the responsibility of forms, the paper analyzes the issues that arise when adapting self-fiction into film. It maps out how the concepts can be applied especially well to self-fiction and New Romanian Cinema, then applies them in a comparative analysis of Cezar Paul-Bădescu’s book, Luminița, mon amour, and Călin Peter Netzer’s movie adaptation, Ana, mon amour. The paper argues that whereas the book’s ambiguity succeeds in transmitting its central themes, the movie fails to faithfully adapt the central ideas due to an inadequate choice in form. Finally, the paper argues that the formal issues cause ethical faults which hinder the transnational effort and negatively influence the worlding process.
Keywords: transnational, intermedial adaptation, adaptation ethics, representation ethics, ethics and aesthetics, Romanian New Wave, New Romanian Cinema, Călin Peter Netzer, Cezar Paul-Bădescu, worlding Romanian literature.
Bibliografie
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Filmography
Ana, mon amour, România, 2017. Director: Călin Peter Netzer
Legături bolnăvicioase, România, 2006. Director: Tudor Giurgiu
Maria, România, 2003. Director: Călin Peter Netzer
Medalia de onoare, România, 2009. Director: Călin Peter Netzer
Moartea domnului Lăzărescu, Director, 2005, Regizor: Cristi Puiu
Poziția copilului, România, 2013, Director: Călin Peter Netzer
